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Title America noir [electronic resource] : underground writers and filmmakers of the postwar era / David Cochran.
Author Cochran, David, 1961-
Publication Washington [D.C.] : Smithsonian Institution Press, [2000]
Copyright date ©2000
Description 1 online resource (xiii, 280 pages)
text file
Call # eBOOK
System Req Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Bibliography Includes bibliographical references (pages 261-273) and index.
Contents Preface: Mapping the underground culture -- Introduction: Within the shell of the old: the creation of the Cold War consensus and the emergence of the underground culture -- Part One. The killer inside me: roman noir authors. Slipping deeper into hell: Jim Thompson's theology of absurdity -- "It's always for nothing": the paperback worldview of Charles Willeford -- Part Two. Progress and its discontents: Science fiction and fantasy authors. "I'm being ironic": imperialism, mass culture, and the fantastic world of Ray Bradbury -- The devil and Charles Beaumont -- Part Three. Outside looking in: Minority artists. "So much nonsense must make sense": the black vision of Chester Himes -- "Some torture that perversely eased": Patricia Highsmith and the everyday schizophrenia of American life -- Part Four. Little shop of horrors: Independent filmmakers. "Lots of socko": the independent cinematic vision of Samuel Fuller -- Roger Corman's low-budget modernism -- Part Five. Cracks in the consensus: Liberal artists. Richard Condon and the paranoid surreal style in American politics -- Another dimension: Rod Serling, consensus liberalism, and The Twilight Zone -- Conclusion: the emancipation of dissonance.
Access Use copy Restrictions unspecified star MiAaHDL
Summary "In America Noir David Cochran details how ten writers and filmmakers probed the Cold War's cultural contradictions and indirectly challenged its social pieties: the superiority of American democracy, the benevolence of free enterprise, and the sanctity of the suburban family." "Cochran argues that these artists pioneered a detached, ironic sensibility in fictions that radically juxtaposed cultural references and blurred the distinctions between "high" and "low" art. Their works would play a crucial role in the emergence of not only a 1960s counterculture but also the postmodernism of a later era."--Jacket.
Reproduction Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Note digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
Print version record.
Subject American fiction -- 20th century -- History and criticism.
Popular literature -- United States -- History and criticism.
Literature and society -- United States -- History -- 20th century.
Detective and mystery stories, American -- History and criticism.
Motion pictures -- United States -- History.
Fantasy fiction, American -- History and criticism.
Film noir -- United States -- History and criticism.
LITERARY CRITICISM -- American -- General.
American fiction. (OCoLC)fst00807048
Detective and mystery stories, American. (OCoLC)fst00891483
Fantasy fiction, American. (OCoLC)fst00920725
Film noir. (OCoLC)fst00924273
Literature and society. (OCoLC)fst01000096
Motion pictures. (OCoLC)fst01027285
Popular literature. (OCoLC)fst01071405
United States. (OCoLC)fst01204155
Undergroundfilms.
Romans.
Scenario's.
1900 - 1999
Genre Electronic books.
Criticism, interpretation, etc. (OCoLC)fst01411635
History. (OCoLC)fst01411628
Addl. Author OverDrive, Inc., distributor.
Related To Print version: Cochran, David, 1961- America noir. Washington [D.C.] : Smithsonian Institution Press, ©2000 1560988134 (DLC) 99044320 (OCoLC)42289708
ISBN 1560989351 (electronic bk.)
9781560989356 (electronic bk.)
9781588345509 (electronic bk.)
1588345505 (electronic bk.)

Location CALL # Status Message
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