LEADER 00000cam a22004338i 4500 
001    ocn871061550 
003    OCoLC 
005    20141117030555.0 
008    140502s2014    nyu      b    001 0 eng   
010    2014017686 
020    9780307911759 (hardcover : alk. paper) :|c$28.95 
020    0307911756 (hardcover : alk. paper) 
020    9780307911766 (e-book) 
020    0307911764 (e-book) 
035    (OCoLC)871061550 
040    DLC|beng|erda|cDLC|dYDXCP|dBTCTA|dBDX|dOCLCO|dSFR|dNYP
       |dBKL|dUtOrBLW 
042    pcc 
049    BKLA 
082 00 781.1|223 
099    781.1|aD 
100 1  Durkin, Andrew,|eauthor. 
245 10 Decomposition :|ba music manifesto /|cAndrew Durkin. 
264  1 New York :|bPantheon Books,|c2014. 
300    388 pages ;|c25 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Authorship. A thousand wrought like one ; Metal machine 
       music -- Authenticity. An introduction to authenticity ; 
       Do you hear what I hear? ; Live to tape, and back again ; 
       Dots on a page -- Art and commerce. Digital witness -- 
       Afterword. The benefits of aesthetic confusion. 
650  0 Music|xPhilosophy and aesthetics. 
650  0 Music appreciation|xPsychological aspects. 
650  0 Music appreciation|xSocial aspects. 
650  0 Sound recordings|xSocial aspects. 
650  0 Music and technology. 
947    zun 
948    MARS 
994    C0|bBKL